My long and continuing exploration of the evolution of webcams has reliably turned up a small set of companies that are doing interesting things. Conference Room Systems is one such company. An AV reseller in Pennsylvania they seemed to recognize that A/V tech was evolving beyond its traditional boundaries. It was moving into live streaming, in applications from corporate to churches, schools and community groups.
However, a sales organization is just that. They exist to sell things. Having spent many years in such an organization it’s familiar territory for me. Sometimes they are genuinely knowledgeable, occasionally less so.
It’s been a while since the matter of lighting for video calling has been an issue around here. In general I’ve been pretty happy with the Brightlines LED Conference lamp that I had described previously. I do wish that I had a second light to use at my desk. Thus far I’ve been moving the Brightlines lamp from place to place as needed.
It’s been a month or more since I took delivery of a Brightlines I/S-22 light for use in my working life. I noted it’s arrival to my small circle of associates, who seem to be happy with the result. With the I/2-22 providing even fill lighting I’ve not appeared as a disembodied head on any video calls.
As was mentioned previously, the I/S-22 has three possible mounting options; a VESA bracket with a 6” gooseneck, a table clamp with a 22” long gooseneck, or a heavy round base with that same 22” gooseneck.
The VESA mount allows the light to be mounted to the back of a monitor, presuming that the monitor is not itself mounted to a VESA type arrangement.
My situation seemed best addressed by the long gooseneck with the table clamp. This allows me to mount the light to the edge of the table immediately behind the HDX-4500. The HDX is a large and rather heavy device, and does not have VESA type mounting holes. Happily the I/S-22 on the long gooseneck rises to an appropriate height, about 4 inches above the top of the HDX.
I have seen the light…and you can, too! As I described previously, I’ve been making use of a lot more video calling in my working life. Even beyond that fact, some have said that I’m occasionally in the dark.
After some attempts to use locally existing lighting, both natural and artificial, I determined that I need some lighting that’s specifically for my use of video. My first instinct was to ask a question of my followers on Twitter, since some of those are active in the realm of video conferencing and calling.
I also reached out to some people in the broadcast space, including photographers and lighting directors. I took the answers provided and added a little of my own online research.
There has a risen a question of why my workspace is as dark as it happens to be at times? Early in my career I was an online editor. At that point I spent most of my working life in dimly lit rooms working on the final assembly of commercials and longer video programs. The forest green color on my office walls is in fact borrowed from the design one of my favorite editing suites.